Pop Mutations presents... The legendary Prolapse live at Mono, Glasgow. Support from Everyday Dust.

Tickets available at - https://www.citizenticket.co.uk/events/pop-mutations/

Prolapse originally formed in Leicester in the early 1990s and earned a cult following for their chaotic live sets, and tense and repetitious songs like Flex and Tina This Is Matthew Stone. They feature duelling vocalists Mick Derrick and Linda Steelyard, who play out an intense soap opera over a ferocious triple guitar assault and pummelling rhythm section.
Their releases have included numerous singles and four albums on various labels, including Cherry Red and Radar, as well as recording four Peel sessions. The band has received critical acclaim, including singles of the week on the Radio 1 evening session and NME. They have also toured and shared bills with a diverse array of bands, including Stereolab, Sebadoh, Arab Strap and Sonic Youth. Pavement’s Stephen Malkmus described Prolapse as the best band of the weekend at Reading Festival.
After a long hiatus, the band reformed in 2015 and occasionally play live dates. This short UK tour offers a rare chance to experience the Prolapse live show. Two of the band’s Peel sessions have recently been released on the Precious Recordings of London label and Pointless Walks to Dismal Places is re-issued as a double gatefold LP on Optic Nerve Records in July.
Lazer Guided Melody blog: “A heady brew of hacking guitars, Krautrock references, non sequitur lyrics and caustic narrative; messy and shambolic for sure, but a self-professed mess, shaped by the theatricality of girl verses boy vocals, and a twist of sexual tension embellished with improvised, nonsensical wordplay.
The band released four albums between ’94 and ’99 (Pointless Walks To Dismal Places; backsaturday; The Italian Flag; The Ghost of Dead Aeroplanes), and each still manages to sound not only fresh and relevant, but also urgent, and very, very necessary. It has been said, however, that no Prolapse experience can be deemed complete without having seen them live, when every gig felt as if it had been scripted by a quorum involving Samuel Beckett, Hunter S Thompson, Marjorie Proops and Mark E Smith”.